5.
I pushed ambition,
Or rather,
The desire of an ambition,
To create images ex-nihilo,
By avoiding the loans,
Quotations,
References.
Not, by an aesthetic concern,
Or by a vain spirit of contradiction,
Within the framework of a spirit of opening,
Of innovation
I would say, if I dare :
Of a "spiritual reception"
A concrete realisation of a certain "expectation"
...
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It is, today of the order of the inconceivable,
In any way,
It is a question which arises :
Can we still create new images ?
I mean completely new ?
...
But,
That is how I see
The changing nature of work,
It is a natural requirement.
It is necessary to exceed it.
In sum,
I aim several concepts :
1. The development of a personal iconography ;
2. The final gesture ;
3. The fragmentation of the background ;
4. The dense saturation of the work.
A painting should contain both,
Old and New Testament,
Or,
The Iliad and the Odyssey
With a maze of forms,
An elusive jungle
...
Are (constantly) integrated in
The process of pictorial work.
(Although, today, I start,
By moments, to present them individually ...)
