There was thus an outcome towards the creation of a feminine character having the long hair which is presented by profile.   And very rarely by face, so, the character always look aside, either to the left, or to the right,  



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But also at the top and below. So, there is no direct confrontation with the "regardeur" of the work, there is no confrontation...   Naturally, this typical attitude calls back the characters of Egyptian and Greek iconography.  
 
Egypt and Greece were often in the heart of my work. As in the 80s when I worked the "circular motives for the funeral ceilings of graves Egyptians".  

april 6th 2006
Dimitri Dimitriadès

 

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